Enora Cini

An actress with a passion for metaphysical questions, Enora has found in research a playing field that suits her perfectly. When a subject proves elusive, she is wary of ready-made answers and values taking her time – the kind that allows her to see (herself) in a different light. A stretched-out leg, a cruciate ligament, spilled coffee – she wonders why everything fades and why words always seem to arrive a little too late. Whilst waiting for an epiphany, she observes the paths of life etched into wrinkles and follows their traces to work with what remains of fragmented memories. Her next goals: to run a half-marathon in slow motion and to learn to come to terms with herself. Bear in mind, however, that tomorrow she might change her mind.

Enora Cini is an actress. After completing a professional acting course at Théâtre en Miettes in Bordeaux (2016–2018), followed by a professional dance course at Compagnie Lullaby in Bordeaux (2018–2019), she continued her training at the Atelier Blanche Salant in Paris (2019–2022). In 2022, she enrolled in the Bachelor’s degree in Theatre at La Manufacture - The University of Performing Arts in Lausanne.

During her studies, she worked notably with Gisèle Vienne, Phia Ménard, Adèle Haenel, Fanny de Chaillé, Gwenaël Morin and Gabriel Calderón.

She completed her studies in 2025, appearing in Roberto Zucco, directed by Gabriel Calderón, and then in Guillaume Tell, directed by Gwenaël Morin and staged at the Festival de la Cité in Lausanne. That same year, she created her first solo piece, “Page Blanche” (Blank Page), which was performed at La Manufacture and later at the “C’est Déjà Demain” festival in Geneva.

She has now joined L’Abri, where she is continuing her career as a performer and developing her own creative projects.